In this current exhibition, JORDI ALCARAZ – defying boundaries, the artist furthers his explorations and near-obsessive ruminations on the limits of interior/exterior concepts, reality and evocation, presence versus absence, volume and void – the rational and the poetic. Even boundaries created by frames enclosing his paintings and drawings are altered in extraordinary ways, calling into question these distinctions. The same applies to his sculptures. Alcaraz opens surprising realms through the use of bending, tearing and puncturing materials in unpredictable ways. To quote the artist, “The surface of the works have a plastic behavior similar to the surface of water … it can be traversed, altered, shocked … in which the absence is more important than the evidence; the absence of almost everything, the role of disappearance of the work, the permanence of the action.” When writing for a recent museum exhibition catalogue, the eminent critic, Peter Selz, wrote: “Jordi Alcaraz takes the physical space, objects and ideas and projects them into new dimensions. He is a visual alchemist whose sensibilities expand a profound legacy … Alcaraz‘s pieces have magic without resorting to tricks. It is art of the unexpected and surprise. This artist works with contradiction and enigmas … most of all, Alcaraz conflates the interior and exterior of matter and space, and works simultaneously with past and future.” Born in 1963 in Calella, near Barcelona, Alcaraz is logically placed among his Catalonian artist antecedents. However, he transcends the minimal spaces of Miro and the surreal other-worldly landscapes of Dali. And whereas Antoni Tapies created astounding walls and doors – marked and eroded – evidencing both the surreal and the real, Alcaraz extends those notions into realms uniquely his own. His work engages the viewer in unexpected ways. As the leading Spanish critic, Mariano Navarro, has observed: “Alcaraz’s works alert us not only to our assessment of things visible and invisible and their paradoxes, but also allude to sensations we may have never experienced before yet seem familiar, as though they are part of our heritage …”